Oppression and Spiritual Deterioration in William Blakes Poem London E

Oppression and Spiritual Deterioration in William Blakes Poem LondonLondonI wander thro each charterd street, 1 Near where the charterd Thames does flow, 2 And mark in entirely(prenominal) face I meet, 3 Marks of weakness, marks of woe. 4 In every cry of every Man, 5 In every Infants cry of fear, 6 In every voice, in every ban, 7 The mind-forgd manacles I hear 8 How the Chimney-sweepers cry 9 Every blackning Church appalls, 10 And the hapless Soldiers sigh, 11 Runs the blood down Palace walls. 12 But most thro midnight streets I hear 13 How the vernal Harlots curse 14 Blasts the new-born Infants tear, 15 And blights with plagues the Marriage hearse. 16 London by William Blake is a short poem packed with meaning. The poem has two related themes. The origin explores the spectral decay and slavery of the people of London. The second examines the oppression of certain disadvantaged groups and the implied apathy of the oppressors. Blake crafts a skillful poem with mast erful use of shape word meaning, irony, repetition, and visual and audible images. Layered meanings become apparent in the first two lines where Blake writes of the charterd street and the charterd Thames. Based on the various definitions of charter and chartered, Blake could be speaking ironically of the privileged streets where the harlots and chimney sweepers live. Blake may also be using chartered to encompass all of men. Chartered can describe a branch established by a sovereign, and, in this sense, London on the charterd Thames may be one branch of man, representing all men under a spiritual curse. Finally, charter denotes contracts between men for business pu... ...e of an oppressed and an oppressor. Possibly, the youthful harlot is a prostitute because she has no other work or has no family. Indirectly, husbands and the men of London in general are accused for their lack of responsibility. The men either pass venereal disease to the harlot or put out it home with them, a pparently unconcerned about the results of their actions. The actions of these men have led to what Blake calls the loudest and most prevalent cry of the poem--the sound of the fall of the family. In conclusion, Blake points out the spiritual deterioration of his time in London. He sees what is plainly visible but goes unnoticed by other men. He becomes the wanderer, the poet-prophet, the voice of experience crying for all to take note and mend their ways. Work Cited Abrams, M. H. , gen. ed. The Norton Anthology of English Literature. 5th edition